Most people will come for this film because of its oddly-paired starring duo, Keira Knightley and Mark Ruffalo, or perhaps because they saw Once (the writer-director John Carney’s Dublin set musical hit) and thought that Carney could once again work his magic. I, personally, entered the film with neither option spurring me onwards and colouring my views. I’m not an avid fan of either actor and, though I’ve certainly heard of Once and read the rave reviews that accompanied its release, I haven’t actually seen the film. I think that’s the best way, as a viewer, to enter into the experience. Completely unbiased and willing to let the film do what the film needs to do.
Telling the tale of two lost souls trying to find themselves
through music, we begin with Greta (Knightley) singing a melancholy tune while
clearly lamenting some sort of recently suffered tragedy. As it turns out,
she’s a recently graduated Brit who travelled to the Big City with her
long-time love Dave (Adam Levine) so that he could pursue he’s musical talents
with the production company he recently signed with. Things don’t go as
planned, as is often the case when people make big life decisions based on
their lovers’ lives, and suddenly Greta is left with her guitar; a single
suitcase; and her pal Steve’s (James Corden) stodgy couch as the place to rest
her head. Things aren’t great, that’s for damn sure. Ruffalo finds himself on
the down-and-out as well as the alcoholic absentee father who has just been
fired from the production company he co-founded. Cue the cute-meet in a dingy
bar where Ruffalo hears Knightley sing and, instead of seeing the
verging-on-suicidal woman the audience see, he spots something special in an
awesome scene where the downbeat original is transformed into an upbeat
orchestration imagined by him.
The musical collaboration begins, and the pair quickly form
a bond based off of their mutual need to create something great and something
that goes beyond the troubles they have recently suffered. The film is magical
in this sense. The quirky pair bounce off of each other and their chemistry is
really quite surprising, and palpable from the word go. This broken pair needs
each other, just as much as they need the music, because it’s nice not to feel
alone. Don’t worry though, it’s not a romance per see, although there are
flirtatious gazes and the suggestion of something “more” littered throughout
the film. That’s exactly what made me love the film as well. It doesn’t conform
to some Hollywood idea that a film can’t be something great and truly
substantial unless its leads end up in a romantic embrace. It does the exact
opposite. It shows that sometimes what’s truly best is to know that you can
love yourself, without having to be loved by somebody else. That’s an important
and powerful message.
What I loved most about the film was the raw charm it exuded
and the bloody brilliant soundtrack throughout. From the outside looking in,
the cast seem odd and mismatched. I mean we’ve got Knightley, Ruffalo, Adam
Levine, James Corden and Cee-Lo-Freakin’-Green and to me it just seemed so odd
and out-of-place, yet as I was watching it felt
completely right. The actors just seem to bounce off of each other, and Corden
brought his foul-mouthed-British charm to the fore consistently, which felt
palpable and real as he interacted with Knightley and Ruffalo. The scenes where
we see Greta film and sing her music in random locations across the beautiful
NYC are breath-taking and charming and, as a viewer, just make you wish you
were there. There is no better feeling than live music and the atmosphere it
gives, and you really get the sense of this atmosphere in the film – which,
kudos to the actors and director, because that is an impressive feat.
If you’re a fan of brilliant music, brilliant actors and a
story that will leave you feeling hopeful then please see Begin Again. It’s something
great and its messages are healthy and direct. You don’t need anybody but
yourself, and you certainly don’t need the approval of many to feel the glory
of success.
A rambler’s star rating?
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